The Farfisa is great for early Pink Floyd (think Piper or Echoes). You can get some great 'Dark Side of The Moon' organ tones using the Hammond. The models themselves are pretty sonically accurate. So - it doesn't sound like a lot, but when you combine all these possibilities together - the models, the drawbars, the effects and the rotary cabinet - hundreds of permutations are actually possible. Tonal shaping is, thrillingly, driven by no less than nine mini-drawbars for some primitive added synthesis fun! There's also a rotary speaker emulation that can be applied to all models, and this offers four states - off, stop, slow and fast, with a toggle switch. You get master volume, octave switch (5 switches over 37 keys, so, pretty wide), model select, vibrato/chorus with depth control, two types of percussion - not drum sounds, more like short pitched notes on a synth with the sustain turned all the way down and a fast decay and release - there is a 'length' control to determine release), and two effects - distortion and reverb. The control panels are basic, accessible and immediate. Perhaps in a nod to that, the tough plastic casing of the YC is also finished in a striking 'Racy Red', making it arguably the most striking and attractive in the range. Roland before they were Roland) organ, and a shot at Yamaha's own YC-10, which had a striking red tolex livery (it's still used today by psych bands such as Bitchin' Bajas). It's very simple - you get a Hammond, a Vox Continental, a Farfisa, an Ace Tone (i.e. The CP covered electromechanical pianos, the DX covered FM and the DX7, the CS covered virtual analogue synthesis, and this, the YC, is an attempt to shrink those classic tonewheel and reed organs down to size. There were four, and each one tried to capture the essence of classic instruments in a diminutive form. In 2015, Yamaha created the Reface range of pint-sized keyboards.
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